Beskrivning
Mint limited to 50 ex. noemienours Records 11, clear, samma kvalitet som standard vinyl
1. Side A is comprised of 3 unusually acoustic recordings by noemienours who are developed around a template similar to the concept of “fairy tree” as it is developed in Mark Twain’s “Personal recollections of Joan of Arc”, but based on nature observation from the Baltic Sea birch forest where noemienours lives. The first 2 songs have a A415 nylon guitar and harpsichord tuning/sound reminiscent of John Downland or François Couperin and both include looped samples of snowshoeing through the snowy forest, while the last song involves only clavichord and voice. The harpsichord improvisation, an obvious component of 17th/18th century music, can share similarities here for instance with keyboard improvisation from post ”In a silent way” Miles Davis or Scandinavian jazz like Jan Garbarek. ”Veniet Ursi Silvestres” is a prelude whose title is a quote from Johannes Lichtenberger’s “Prognosticatio” (1492) predicting inter alia the development of the Thirty Years War. The whole tryptic is an ode to the threatened magical power of the forest.
2. Side B is a harpsichord transcription, transcribed and performed by noemienours of lute tablatures from Charles Mouton (ca. 1617-1699) , who was one of the most famous lute-players (key musicians for the development of harpsichord or viol music), in France and Europe, also including notably Sweden during the 17th century, where some of his compositions have also survived in the form of keyboard tablatures (something familiar to noemienours who used the keyboard tablature technique previously to perform songs on keyboard during her New-Zealand tour in 2019, keyboard tablatures published in the ”Meditative Adventures” songbook). So this is a somewhat Swedish tradition of adapting Mouton’s music to keyboard that resumes with this recording, that includes one composition never previously recorded by anyone.
1. Side A is comprised of 3 unusually acoustic recordings by noemienours who are developed around a template similar to the concept of “fairy tree” as it is developed in Mark Twain’s “Personal recollections of Joan of Arc”, but based on nature observation from the Baltic Sea birch forest where noemienours lives. The first 2 songs have a A415 nylon guitar and harpsichord tuning/sound reminiscent of John Downland or François Couperin and both include looped samples of snowshoeing through the snowy forest, while the last song involves only clavichord and voice. The harpsichord improvisation, an obvious component of 17th/18th century music, can share similarities here for instance with keyboard improvisation from post ”In a silent way” Miles Davis or Scandinavian jazz like Jan Garbarek. ”Veniet Ursi Silvestres” is a prelude whose title is a quote from Johannes Lichtenberger’s “Prognosticatio” (1492) predicting inter alia the development of the Thirty Years War. The whole tryptic is an ode to the threatened magical power of the forest.
2. Side B is a harpsichord transcription, transcribed and performed by noemienours of lute tablatures from Charles Mouton (ca. 1617-1699) , who was one of the most famous lute-players (key musicians for the development of harpsichord or viol music), in France and Europe, also including notably Sweden during the 17th century, where some of his compositions have also survived in the form of keyboard tablatures (something familiar to noemienours who used the keyboard tablature technique previously to perform songs on keyboard during her New-Zealand tour in 2019, keyboard tablatures published in the ”Meditative Adventures” songbook). So this is a somewhat Swedish tradition of adapting Mouton’s music to keyboard that resumes with this recording, that includes one composition never previously recorded by anyone.
Fre 31 maj 10:31
noemienours/Mr. Mouton lathe split 12" smog, appendix out, John Dowland, lofi M+
Pris
400 kr
