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En bok om den lyriska genren i slutet av 1700-talet och början av 1800-talet. Boken undersöker teorier om den lyriska genren av bland annat J. A. Schlegel, F. W. J. Schelling, F. Ast och J. J. Engel.
The Language of Passion: The Order of Poetics and the Construction of a Lyric Genre 1746-1806
Anna Cullhed
European University Studies Peter Lang 2002. Mjuk pärm 337 sidor. Mycket gott skick.
ISBN 3631380402
This is a study of the theory of the lyric genre in late 18th- and early 19th-century instructional poetics by Ch. Batteux, J. A. Schlegel, J. G. Sulzer, H. Blair, J. J. Engel, J. J. Eschenburg, A. W. Schlegel, F. W. J. Schelling, F. Ast, and F. Bouterwek. Poetics can be understood as part of moral philosophy, natural history, the psychology of association, or idealist philosophy during this important period. However, the lyric genre is defined as the language of passion" in all the sources, irrespective of their theoretical point of departure. The definitions rely on the interaction between the classical tradition of poetics and contemporary disciplines, and this tension calls for a reconsideration of neoclassical and romantic poetics. The lyric gains a stable position within different systems of genres, independent of the other genres included. It is certainly an expression of emotions, but these need not be authentic. Across all conventional epochal borders, the lyric is primarily a political and religious genre.
Anna Cullhed, born 1966, received her PhD at Uppsala University in 2001. She has studied Literature, Aesthetics, and Art History in Uppsala and Tübingen and taught Rhetoric and Literature at various colleges and universities in Sweden. As a fellow of the Swedish Collegium for Advanced Study in the Social Sciences (SCASSS) she studies the relation between 18th-century poetry and poetics.
www.peterlang.de
The Language of Passion: The Order of Poetics and the Construction of a Lyric Genre 1746-1806
Anna Cullhed
European University Studies Peter Lang 2002. Mjuk pärm 337 sidor. Mycket gott skick.
ISBN 3631380402
This is a study of the theory of the lyric genre in late 18th- and early 19th-century instructional poetics by Ch. Batteux, J. A. Schlegel, J. G. Sulzer, H. Blair, J. J. Engel, J. J. Eschenburg, A. W. Schlegel, F. W. J. Schelling, F. Ast, and F. Bouterwek. Poetics can be understood as part of moral philosophy, natural history, the psychology of association, or idealist philosophy during this important period. However, the lyric genre is defined as the language of passion" in all the sources, irrespective of their theoretical point of departure. The definitions rely on the interaction between the classical tradition of poetics and contemporary disciplines, and this tension calls for a reconsideration of neoclassical and romantic poetics. The lyric gains a stable position within different systems of genres, independent of the other genres included. It is certainly an expression of emotions, but these need not be authentic. Across all conventional epochal borders, the lyric is primarily a political and religious genre.
Anna Cullhed, born 1966, received her PhD at Uppsala University in 2001. She has studied Literature, Aesthetics, and Art History in Uppsala and Tübingen and taught Rhetoric and Literature at various colleges and universities in Sweden. As a fellow of the Swedish Collegium for Advanced Study in the Social Sciences (SCASSS) she studies the relation between 18th-century poetry and poetics.
www.peterlang.de
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