Led bybassist Joey DeMaio and his singular metallic musical vision,Louder Than Hell is another exercise in power metal evangelismpeculiar to Manowar. The British Steel-like opener “Return of theWarlords” emphasizes the American band’s rare ability to offer veryEuropean-sounding ’80s metal. The strength of this album is thatits straight forward, catchy, has balls and anthemic. The lyricsare like the later Manowar albums and deals with being true tometal and the life of metalheads that live free, ride hard and dieyoung. Eric Adams hammers out vocal lines with conviction. The bassis prominent, the sound is thick, the pace is mostly mid-paced tofast. Remember Hail and Kill? If Manowar had it playing in thebackground while writing this album, I would not be surprised.Outlaw with its pile-driving, 16th-note rhythm is up to the speedystandard set on The Triumph of Steel, King starts as a ballad asgood as Heart of Steel and sounds similar, then midway it becomesan anthem with shout-along chorus. As with any other Manowar album,the lyrics can be largely amusing just check out The Gods MadeHeavy Metal with lines like: The Gods made heavy metal / and sawthat it was good / they said to play it louder than hell / wepromised that we would. How can you go wrong? Whether it’s supposedto be a joke or not doesn’t really matter. The music is expertlyplayed and the track kicks major ass. This is definitely a greatalbum by a great band. Manowar’s true metal flag-waving is tediousand goofy, but non-judgmental metal fans willing to overlook thebad comic book imagery will eventually marvel at the band’s abilityto create and capture their own brand of unapologetic heavymetal.

Tracklist:
1. Return Of The Warlord
2. Brothers Of Metal (Part One)
3. The Gods Made Heavy Metal
4. Courage
5. Number One
6. Outlaw
7. King
8. Today Is A Good Day To Die
9. My Spirit Lives On
10. The Power

Condition cover: nm

Condition cd: nm

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