Prints and Visual Communication – William M. Irvins, Jr.

The sophistication of the photographic process has had two dramatic results-freeing the artist from the confines of journalistic reproductions and freeing the scientist from the unavoidable imprecision of the artist's prints. So released, both have prospered and produced their impressive nineteenth- and twentieth-century outputs. It is this premise that William M. Ivins, Jr., elaborates in Prints and Visual Communication , a history of printmaking from the crudest wood block, through engraving and lithography, to Talbot's discovery of the negative-positive photographic process and its far reaching consequences., The sophistication of the photographic process has had two dramatic results--freeing the artist from the confines of journalistic reproductions and freeing the scientist from the unavoidable imprecision of the artist's prints. So released, both have prospered and produced their impressive nineteenth- and twentieth-century outputs. It is this premise that William M. Ivins, Jr., elaborates in Prints and Visual Communication , a history of printmaking from the crudest wood block, through engraving and lithography, to Talbot's discovery of the negative-positive photographic process and its far reaching consequences.

KÖP MINST 3, FÅ DEN BILLIGASTE PÅ KÖPET. GÄLLER ALL MEDIA (MUSIK, FILM, SPEL OCH BÖCKER/TIDNINGAR)

Engelsk text
Antal sidor: 190
Häftad
The MIT Press Ltd, 1992

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