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Released within months of Fellini's La Dolce Vita and Antonioni's La
Notte, Elio Petri's dazzling first feature The Assassin (L'Assassino)
also stars Marcello Mastroianni, this time as dandyish thirtysomething
antiques dealer Alfredo Martelli, arrested on suspicion of murdering his
older, far wealthier lover Adalgisa (Micheline Presle). But as the
increasingly Kafkaesque police investigation proceeds, it becomes less
and less important whether Martelli actually committed the crime as his
entire lifestyle is effectively put on trial. Best known for
Investigation of a Citizen Above Suspicion and The Tenth Victim, Petri
was one of the finest and yet most underrated Italian directors of the
1960s and 70s. Highly acclaimed on its original release but unjustly
neglected since, The Assassin is a remarkably assured debut from one of
the cinema's sharpest chroniclers of Italian social and political
realities. Petri said that he wanted to reflect the changes wrought by
the early sixties, and to examine "a new generation of upstarts who
lacked any kind of moral scruple". Arrow Academy is proud to present The
Assassin in a gorgeous high-definition restoration created by the
Cineteca di Bologna.