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out of print
nummer 1370 av 8000.

INDICATOR LIMITED EDITION BLU-RAY SPECIAL FEATURES

• 2K restoration from the original negative, newly re-graded and approved by director of photography Phil Méheux
• Original mono audio
• Audio commentary with actor Ray Winstone and film critic Nigel Floyd (2006)
• No Luxuries (2019, 20 mins): actor Mick Ford looks at his character of Archer and his working relationship with director Alan Clarke
• An Outbreak of Acting (2019, 16 mins): actor Ray Burdis on returning to the role of Eckersley for the feature film
• Smashing Windows (2019, 12 mins): actor Perry Benson recalls the daily experiences of being on set
• Continuous Tension (2019, 18 mins): director of photography Phil Méheux analyses the documentary approach of his cinematography
• Criminal Record (2019, 10 mins): associate producer Martin Campbell on remaking the banned teleplay for the big screen
• Back to Borstal (2019, 32 mins): executive producer Don Boyd reflects on his efforts to reinvigorate British cinema in the late seventies
• Concealing the Art (2019, 30 mins): veteran editor Michael Bradsell recalls collaborating with Alan Clarke
• That Kind of Casting (2019, 22 mins): casting director Esta Charkham on the influence the Anna Scher Theatre had on production
• Interview with Roy Minton and Clive Parsons (1999, 16 mins): the writer and producer look back on Scum twenty years after its release
• Interview with Roy Minton (2005, 20 mins)
• Interview with Davina Belling and Clive Parsons (2005, 9 mins): the producers of Scum discuss its transition from banned teleplay to feature film
• Interview with Don Boyd (2005, 13 mins)
• Cast Memories (2005, 17 mins): archival documentary featuring interviews with Phil Daniels, Julian Firth, Mick Ford and David Threlfall
• Original ‘U’ and ‘X’ certificate theatrical trailers
• Image gallery: promotional and publicity material
• New and improved English subtitles for the deaf and hard-of-hearing
• Limited edition exclusive 80-page book with a new essay by Ashley Clark, recollections from cast and crew members, an archival on-set report by critic Michael Billington, executive producer Michael Relph’s viewing notes, archival interviews with director Alan Clarke, an extract from writer Roy Minton’s novelisation, a look at Mary Whitehouse’s High Court case over the film’s television broadcast, an overview of contemporary critical responses, and film credits
• Limited edition exclusive double

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