Variety Movie Guide 1994, ed. Derek Elley

Hamlyn 1993. Stort format, mjuk pärm 898 sidor. Gott skick med något skav i kanterna på omslaget av hantering. Lätt gulnad i kanterna.
ISBN 0600578984

"BEST ALL-ROUND FILM REFERENCE WORK CURRENTLY AVAILABLE" EMPIRE
VARIETY

6,500 movies Up to date reviews, including The Firm, Last Action Hero, Jurassic Park, Dennis The Menace, Free Willy, and in the Line of Fire A to Z order by title with details of running time, director, producer, screenwriter, cinematographer, music composer, editor, art director, production company and main cast. Alternative film titles. Academy Award winners and nominees Glossary of Variety 'slanguage' Index of Directors and their films. Availability of movies on video and laserdisc.

Variety magazine has been describing movies and the bizarre world that surrounds them since before Hollywood was born on a starry night in a barn outside Los Angeles. Renowned for its impartiality and technical knowledge, over the last 92 years it has published over 57,000 reviews, ranging from the sublimely good (Citizen Kane) to the awesomely bad (Police Academy VII) to the downright ugly (Seven). This seventh edition of Variety's moviie guide has been updated fro its 1997 predecessor by Derek Elley, a senior critic on the magazine, who has included at least 200 additional reviews as well fine-combing the text to correct any existent inaccuracies. This means that it now contains more than 8,600 entries, each with an easy-to-scan list of production data and credits followed by a short critique, usually abridged, from the original magazine copy. The guide sells itself as combining uniquely a "you were there at the time" feel with a "trade orientation", which is an understandable attempt to occupy a niche somewhere between the dry authority of Halliwell's Film and Video Guide and the more modern perspective of The Time Out Film Guide in an ever-expanding market. The only problem with this method is that using only the guts of a review makes for choppy reading at times, and when taken with the "slanguage" shorthand often employed ("shutterbug" for photographer, "flivver" for car etc.), despite the glossary provided it can be hard work for the more general, or non-American, reader. On the whole, though, the entries are shrewd and informative, not afraid to court controversy (surely no-one rally considers the Scorsese remake of Cape Fear superior to the 1962 original!), yet refreshingly unbitchy. A practical and desirable reference book and browser for the informed amateur who may eventually wish to graduate to the 24-volume Variety's Film Reviews or alternatively downsize to the Variety Portable Film Guide. --David Vincent